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Tendernes. 2021
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Installation becomes a revelation, allowing to overcome the previous boundaries of perceiving corporeality. It brings attention to matter as an active agent and searches for the physicality of forms awakening bodily experiences, evoking tactility. It seeks descriptions of how we live in our bodies, what is running through and across them, and what other actants have affected us.
In The Corner. 2021
My Temporary Room. 2020
The large-scale installation in the main gallery hall represent the modern processing of the architecture and design of late modernism transformed from a dominant doctrine into the language of art everyday life.
My Pink Room. 2018
Pink makes anything it gets onto feminine. Shifting from a light installation to pictures, it changes its notional valency – girlhood turns out to be an imputed quality, something that is external in relation to the individual.
Untitled. 2016
The artist engages with the gallery space and creates an installation that lets a viewer both inside and outside of a 'white house', allowing for an experiment with self-positioning inside a constructed environment.
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